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Artificial Hells: Participatory Art and the Politics of Spectatorship

by Claire Bishop

calendar_today 2012 business Verso Books
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A critical examination of participatory art from the 1990s to the present, questioning the ethics and aesthetics of socially engaged practice.

Bishop challenges us to think critically about what makes participatory art meaningful. Not everyone will agree, but it is essential reading.

— Stella Barnes
Participatory Art Critical Theory Spectatorship

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